johann carl
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Carl Schleich the Elder was a German engraver. On the basis of paintings he created engraving portraits of famous contemporaries, made topographical works. His son, Johann Carl Schleich the Younger, was also an engraver.
Johannes Brahms was a great German composer, conductor and pianist of the Romantic era.
Johannes showed a talent for music early on, learning to play the piano and earning a living from it; in 1850 he met the Hungarian violinist of Jewish origin Eduard Remenyi - from him he learned gypsy music, which often manifested itself in his later work.
In 1853, Brahms had a fateful encounter with the composer Robert Schumann. Schumann wrote an enthusiastic article about Brahms in a periodical, and from that moment the general public became aware of the young talent. In 1859 Brahms was appointed conductor of the women's choir in Hamburg, which gave him ample time for his own work. During this period he composed two Serenades for orchestra and a String Sextet in B flat major, and completed the Piano Concerto No 1 in D minor. A little later he settled in Vienna and directed the Singakademie choir.
In 1868 Brahms completed his most famous choral work, the German Requiem, which is still considered one of the most important works of 19th century choral music. The following year he composed two volumes of Hungarian Dances for piano duet - these were brilliant arrangements of gypsy melodies, their success was phenomenal, and they were performed all over the world.
For the rest of his life, Brahms never stopped composing works in a wide variety of genres: symphonies, concertos, chamber music, piano works, choral works, waltzes and songs. Brahms was a great master of the symphonic and sonata style of the second half of the nineteenth century, which placed him in the first ranks of German composers. He made his last concert appearance in March 1897, and died of cancer in Vienna in April.
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Karl Loth was a German painter of the second half of the 17th century, the Baroque era. He is known as a painter and graphic artist, a representative of Caravaggism.
Loth painted canvases with historical, religious and mythological subjects, as well as portraits. In portrait painting, he brought elements of genre, which was influenced by the Flemish masters. The combination of dynamic brushstrokes, colorful variety and spectacular lighting in the style of the masters of Northern Italy attracted the attention of European collectors and aristocratic clients.
Carl Johann Spielter was a German historical and genre painter. He studied painting at the Royal Academy of Arts in Munich and at the Academy of Fine Arts in Vienna.
Karl Johann Spielter devoted himself to the history of Wilhelm and genre scenes modelled on 17th century Dutch painting, which suited the taste of his time.
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carl Johann Spielter was a German historical and genre painter. He studied painting at the Royal Academy of Arts in Munich and at the Academy of Fine Arts in Vienna.
Karl Johann Spielter devoted himself to the history of Wilhelm and genre scenes modelled on 17th century Dutch painting, which suited the taste of his time.
Carl Johann Arnold was a German painter, draftsman, and graphic artist.
He was the son and pupil of the designer and wallpaper maker, landscape and portrait painter, lithographer, and decorator Carl Heinrich Arnold (1793-1874).
He first studied at the Academy in Kassel and then went to Berlin. Carl Johann Arnold painted pictures of animals, canvases on historical events, and numerous portraits. In particular, he created many portraits of the German Emperor Wilhelm II, for which he was apparently appointed royal Prussian court painter. Arnold also produced drawings, etchings, and lithographs that were published in the popular magazines of the time.
Carl Johann Spielter was a German historical and genre painter. He studied painting at the Royal Academy of Arts in Munich and at the Academy of Fine Arts in Vienna.
Karl Johann Spielter devoted himself to the history of Wilhelm and genre scenes modelled on 17th century Dutch painting, which suited the taste of his time.
Johann George Hossauer was a German jewelry artist, entrepreneur and inventor.
Hossauer began working at the bronze factory of Werner & Mietke in Berlin and trained under the jeweler Henri de Ruolz. In 1819, King Friedrich Wilhelm III of Prussia financially supported the factory, which was managed by Hossauer. This factory produced articles of platinum, gold, silver, bronze, gilded and silvered copper and employed up to 100 people. At one of the first trade exhibitions in Berlin, the master received a gold medal for his work, and in 1826 the king granted him the title of jeweler of His Majesty the King.
As a prominent Berlin jeweler, Hossauer executed several orders of the Prussian court, including the Pour Le Merite and the Order of St. John, and also participated in the creation of the Russian Order of St. Vladimir and the Hanoverian House Order of St. George. He created silver table sets for Prussian princes and fulfilled other prestigious orders, produced jewelry, medals, and numerous pieces of gold and silverware.
In 1845, Hossauer sold his patent for the electroplating process to Werner von Siemens, and ten years later he was appointed a judge at the World's Fair in Paris.
Charles Johann Palmié was a German painter, one of the pioneers of German Modernism and Neo-Impressionism.
He studied at the Dresden Academy of Fine Arts, traveled and worked extensively, specializing in landscapes. In 1901 Palmie and his artist wife opened an artists' hotel in Kalmunz, Germany. Soon an entire colony of artists formed there, numbering up to forty people, many of whom lived there permanently. After Wassily Kandinsky and Gabriele Münter visited the hotel in the summer of 1903, the Kalmunz colony became the talk of the art world.
Impressed by the works of Claude Monet, the artist traveled to France in 1905, where a meeting with the master himself played a decisive role in the further direction of Palmie's work. In France, he spent much time studying Neo-Impressionism, pointillism and monochrome painting, and created many landscapes.
In 1909 Palmie, along with Vasily Kandinsky, Alexei Jawlensky, Gabriele Münter and others, became one of the founders of the Association of New Artists of Munich (Neue Künstlervereinigung München or NKVM), an expressionist art group in Munich. This group later evolved into Der Blaue Reiter ("The Blue Rider"), but without Palmie's participation.
Johannes Kepler was a German mathematician and astronomer who discovered that the Earth and planets move around the Sun in elliptical orbits.
Kepler created the three fundamental laws of planetary motion. He also did seminal work in optics and geometry, calculated the most accurate astronomical tables, and made many inventions and discoveries in physics on which further scientific discoveries by advanced scientists were based.
Carl Morgenstern was a German landscape painter of the Romantic period. His father, Johann Friedrich Morgenstern, was an architectural and landscape painter, and Carl received painting and drawing lessons from him at a young age.
At the age of 21 Carl went to Munich and became a pupil of the landscape painter Carl Rottmann. After a three-year stay in Italy, he returned to Frankfurt am Main, where he established himself as an artist and was later appointed professor.
His paintings from the early period mainly show landscapes, which surprise with special light effects and earned him the nickname "Italianist". Despite his desire for artistic innovation, he later devoted himself mainly to repeating popular motifs in order to satisfy his patrons.
Some of his most important works are views of Frankfurt am Main and the city's surroundings, as well as landscapes from the Taunus and along the Rhine.
Carl Morgenstern was a German landscape painter of the Romantic period. His father, Johann Friedrich Morgenstern, was an architectural and landscape painter, and Carl received painting and drawing lessons from him at a young age.
At the age of 21 Carl went to Munich and became a pupil of the landscape painter Carl Rottmann. After a three-year stay in Italy, he returned to Frankfurt am Main, where he established himself as an artist and was later appointed professor.
His paintings from the early period mainly show landscapes, which surprise with special light effects and earned him the nickname "Italianist". Despite his desire for artistic innovation, he later devoted himself mainly to repeating popular motifs in order to satisfy his patrons.
Some of his most important works are views of Frankfurt am Main and the city's surroundings, as well as landscapes from the Taunus and along the Rhine.
Johann Georg Ziesenis was a German portrait painter. He came from a family of artisans and artists of the 17th and 18th centuries whose works are attributed to the Hanoverian Rococo.
Johann Georg von Dillis was a German painter.
Carl Hilgers was a 19th century German landscape painter.
Carl Hilgers liked to paint winter landscapes shrouded in mist, often of locations around Düsseldorf. The paintings have a romantic character which is enhanced by occasional figures.
Johann Wilhelm Cordes was a German landscape painter.
Johann Wilhelm Cordes entered the Academy of Fine Arts in Prague, then moved to the Academy of Fine Arts in Düsseldorf in 1842, where he studied with Karl Friedrich Lessing and Johann Wilhelm Schirmer.
He specialised in realistic landscapes painted during his travels. He also created coastal scenes with staffage.
Johann Wilhelm Cordes was a German landscape painter.
Johann Wilhelm Cordes entered the Academy of Fine Arts in Prague, then moved to the Academy of Fine Arts in Düsseldorf in 1842, where he studied with Karl Friedrich Lessing and Johann Wilhelm Schirmer.
He specialised in realistic landscapes painted during his travels. He also created coastal scenes with staffage.
Carlo Innocenzo Carlone or Carloni was an Italian painter and engraver, active especially in Germany.
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Johann Karl Hetz is a German painter and professor at the School of Applied Arts in Neuburg am Donau.
He studied at the Munich Academy of Fine Arts, and for more than 20 years was professor of drawing and modeling at the Royal School of Applied Arts in Munich.
Hetz painted many genre paintings, architectural sketches and landscapes of Bavaria, Swabia, Tyroli, Italy, Dalmatia, Bosnia and Herzegovina. He has exhibited a large number of watercolors from these southern countries in Bavarian exhibitions and galleries. Hetz is also a recognized master of interior paintings and genre scenes from the lives of ordinary people and the bourgeoisie in 19th century Europe. Many of his genre paintings were published as illustrations in newspapers and magazines. These works are a valuable source of information about the social trends of the time.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Johann Dietrich Carl Kreul was a German genre and portrait painter and inventor of the paint rubbing machine for artists' oil paints. In 1838, he founded the first German artists' paint factory, C. Kreul, which today operates under the name C. Kreul Gmbh & Co. KG and operates under the KREUL brand.
Johannes Brahms was a great German composer, conductor and pianist of the Romantic era.
Johannes showed a talent for music early on, learning to play the piano and earning a living from it; in 1850 he met the Hungarian violinist of Jewish origin Eduard Remenyi - from him he learned gypsy music, which often manifested itself in his later work.
In 1853, Brahms had a fateful encounter with the composer Robert Schumann. Schumann wrote an enthusiastic article about Brahms in a periodical, and from that moment the general public became aware of the young talent. In 1859 Brahms was appointed conductor of the women's choir in Hamburg, which gave him ample time for his own work. During this period he composed two Serenades for orchestra and a String Sextet in B flat major, and completed the Piano Concerto No 1 in D minor. A little later he settled in Vienna and directed the Singakademie choir.
In 1868 Brahms completed his most famous choral work, the German Requiem, which is still considered one of the most important works of 19th century choral music. The following year he composed two volumes of Hungarian Dances for piano duet - these were brilliant arrangements of gypsy melodies, their success was phenomenal, and they were performed all over the world.
For the rest of his life, Brahms never stopped composing works in a wide variety of genres: symphonies, concertos, chamber music, piano works, choral works, waltzes and songs. Brahms was a great master of the symphonic and sonata style of the second half of the nineteenth century, which placed him in the first ranks of German composers. He made his last concert appearance in March 1897, and died of cancer in Vienna in April.
Richard Strauss, full name Richard Georg Strauss, was a German composer of the late Romantic era, a bright representative of German expressionism, and a conductor.
Richard received his first musical education from his father, a virtuoso French horn player at the Munich Opera. The boy was very musical and from the age of six began composing pieces. Growing up, Strauss led a successful career as a conductor of leading orchestras in Germany and Austria. In 1889 in Weimar he conducted the first performance of his symphonic poem Don Juan, which was received with triumph. Strauss was hailed by critics as Wagner's heir and from that moment his career as a composer began.
In 1904, with his singer wife Paulina Maria de Ana, who was an outstanding performer of his songs, Strauss made a concert tour of the United States.
Richard Strauss equally idolized Wolfgang Mozart and Richard Wagner, and much of his work grew out of this reverence. He excelled at writing works for large orchestra, but he was equally successful at subtlety in chamber music. The composer possessed unrivaled descriptive power and the ability to convey psychological detail. This was particularly evident in his operas Guntram, Salome, Elektra and others.
Together with Gustav Mahler, Richard Strauss represents the late flowering of German Romanticism, which combined innovative subtleties of orchestration with an innovative harmonic style.
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations.
His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility.
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations.
His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility.
Carlo Dolci was a mature Baroque Florentine painter. He is known for his paintings on religious themes.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Johann Karl Loth was a German painter of the second half of the 17th century, the Baroque era. He is known as a painter and graphic artist, a representative of Caravaggism.
Loth painted canvases with historical, religious and mythological subjects, as well as portraits. In portrait painting, he brought elements of genre, which was influenced by the Flemish masters. The combination of dynamic brushstrokes, colorful variety and spectacular lighting in the style of the masters of Northern Italy attracted the attention of European collectors and aristocratic clients.
Johann Karl Loth was a German painter of the second half of the 17th century, the Baroque era. He is known as a painter and graphic artist, a representative of Caravaggism.
Loth painted canvases with historical, religious and mythological subjects, as well as portraits. In portrait painting, he brought elements of genre, which was influenced by the Flemish masters. The combination of dynamic brushstrokes, colorful variety and spectacular lighting in the style of the masters of Northern Italy attracted the attention of European collectors and aristocratic clients.
Benedictus Spinoza (Spanish: Baruj Espinosa) at birth Baruch Spinoza is a Dutch philosopher-rationalist of Jewish origin, a bright representative of the Age of Enlightenment.
Spinoza was born into a family of Portuguese Jews in Amsterdam, who converted to Christianity but returned to Judaism. As a young man, he was considered an outstanding Talmudic scholar and a promising religious scholar. But, inspired by the philosophical writings of René Descartes and Francis Bacon, the young philosopher soon fell outside the orthodox tradition because of his radical views. In 1656 he was severely excommunicated for heresy.
For the rest of his life, Spinoza spent his modest life grinding lenses and privately teaching philosophy, but he also wrote anonymously published philosophical treatises and secretly exchanged letters with many philosophically inclined luminaries of the wider European Enlightenment. Spinoza's only book, published in 1663 in Amsterdam under his own name, was Renati Des Cartes Principiorum Philosophiae Pars I, & II, More Geometrico demonstrate (Principles of Cartesian Philosophy). These principles served as a preparatory work for many metaphysical views in his most important treatise, Ethics (1677).
Benedict Spinoza defended the philosophical life from religious persecution and advocated a new, liberal, democratic regime to support that life. Although Spinoza was often persecuted as an atheist in his time, his writings played an important role in shaping philosophy, theology, and politics in the centuries to come. Of all the philosophers of the seventeenth century, Spinoza is one of the most relevant today.
Johann Carl Schönheit was a Saxon sculptor and porcelain modeller. He worked at Meissen Porcelain Factory from 1731, learning the fine arts by Johann Joachim Kändler's and Michel Victor Acier.
Johann Philipp Eduard Gaertner was a German painter of the second quarter of the 19th century, the Biedermeier era. He is known as a landscape painter, famous for his views of Berlin and other cities.
Eduard Gaertner created many architectural landscapes of Berlin, as well as St. Petersburg and Moscow during his travels to Russia. The value of these works is that they documented the appearance of the cities on the eve of the age of photography. Gaertner's painting style underwent a change after the death of King Friedrich Wilhelm III, his patron. In keeping with the cultural attitudes of Prussia's new ruler, the artist began to paint more romantic and idealized landscapes in which architecture played a decorative role.
